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Medieval Music Database



Historiated Letters in The Rimini Antiphonal

The decoration of this manuscript has been attributed to Neri da Rimini: see Margaret M. Manion and Vara Vines, Medieval and Renaissance Illuminated Manuscripts in Australian Collections, London: Thames and Hudson, 1984 p. 58. See also Neri da Rimini: Il Trecento riminese tra pittura e scrittura Milano, Electa, 1995, pp. 176-180.

  1. Mission of the Apostles, folio 4v
  2. A saint, folio 35r
  3. Christ and two saints, folio 46v
  4. Christ blessing a Bishop and confessors, folio 126r
  5. Christ blessing four saints, folio 143r
  6. Virgin crowned by and angel, folio 147r
  7. Abishop dedicating a church, folio 197r
  8. Christ with Franciscans attending a friar's deathbed, folio 234r



Decorated Letters in The Rimini Antiphonal

  1. T of Tradent eum, folio 1r
  2. H of Hoc est preceptum, folio 24r
  3. I of Iuravit Dominus, folio 16r
  4. I of Iste sanctus, folio 18r
  5. Q of Qui me confessus, folio 30r
  6. O of Omnes sancti, folio 47v
  7. I of Isti sunt sancti, folio 49v
  8. E of Ecce sacerdos, folio 66r
  9. S of Simulabo eum viro, folio 69r
  10. D of Domine quinque talenta, folio 82r
  11. H of Haec est virgo, folio 97v
  12. D of Dum esset Rex, folio 102r
  13. D of Domun Tuam, folio 116v
  14. V of Venite exutemus, folio 119v
  15. E of Exultabunt Domino ossa humiliata, folio 135v
  16. P of Placebo Domino in regione vivorum, folio 137r
  17. V of Venite exutemus, folio 139r
  18. V of Venite exutemus, folio 142v
  19. V of Venite exutemus, folio 145v
  20. V of Venite exutemus, folio 149r
  21. V of Venite exutemus, folio 152v



Palimpsest folios in The Rimini Antiphonal

The 40 palimsested folios of this manuscript document its use over at least 250 years. The original manuscript is dated 1328 on folio 1; the changes to the music and text conform to the recommendations by Giovanni Guidetti in his Directorium Chori, Rome, first edition 1582. These directions apply the principles established by Giovanni Palestrina and Annibale Zoilo, in thir reform of liturgical chant following the Council of Trent, to the Divine Office; changes to the Mass chants were published in the Graduale Romanum of 1614/15 (the 'Editio Medicea'). For durther details of this manuscript, including a full codicological description, its scribe, provenance and the significance of the palimpsests, see John Stinson, 'The Rimini Antiphonal: palimpsest music and Renaissance liturgical practice' in Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage edited by Bernard J. Muir. Exeter: University of Exeter Press, 2001, pp. 57-92.

  1. folio 1r, Vespers, Commune Apostolorum: Tradent enim vos in conciliis
  2. folio 14v, Lauds, Commune Apostolorum: Majorem caritatem nemo habet
  3. folio 15r, Lauds, Commune Apostolorum: Vos amici mei estis si
  4. folio 16v, Vespers 2, Commune Apostolorum: Collocet eum dominus cum
  5. folio 17r, Vespers 2, Commune Apostolorum: Confortatus est principatus eo
  6. folio 18r, Vespers, Commune unius Martyris: Iste est qui pro lege dei sui
  7. folio 30v, Lauds, Commune unius Martyris: Qui mihi ministrat me
  8. folio 31r, Lauds, Commune unius Martyris: Si quis per me intraverit
  9. folio 32v, Vespers, Commune plurimiorum Martyrum: Istorum est enim regnum
  10. folio 48v, Lauds, Commune plurimiorum Martyrum: Corpora sanctorum in pace
  11. folio 49r, Lauds, Commune plurimiorum Martyrum: Vestri capilli capitis omnes
  12. folio 50v, Vespers 2, Commune plurimiorum Martyrum: Sanctorum sicut aquilae
  13. folio 51r, Vespers 2, Commune plurimiorum Martyrum: Absterget deus omnem lacrimam
  14. folio 52v, Vespers, Commune unius Confessoris Pontificis: Sacerdos et pontifex et
  15. folio 53r, Vespers, Commune unius Confessoris Pontificis: O doctor optime, Ecclesiae
  16. folio 66r, Laudes, Commune unius Confessoris Pontificis: Non est inventus similis illi
  17. folio 66v, Laudes, Commune unius Confessoris Pontificis: Sacerdotes dei benedicite
  18. folio 67r, Laudes, Commune unius Confessoris Pontificis: Serve bone et fidelis intra
  19. folio 68r, Vespers 2, Commune unius Confessoris Pontificis: Amavit eum dominus et ornavit
  20. folio 68v, Vespers 2, Commune unius Confessoris Pontificis: Dum esset summus pontifex
  21. folio 69r, Matins, Commune unius Confessoris non Pontificis: Similabo eum viro sapienti
  22. folio 82r, Laudes, Commune unius Confessoris non Pontificis: Domine quinque talenta
  23. folio 82v, Laudes, Commune unius Confessoris non Pontificis: Euge serve bone et fidelis
  24. folio 83r, Laudes, Commune unius Confessoris non Pontificiu: Beatus ille servus cum
  25. folio 83v, Laudes, Commune unius Confessoris non Pontificiu: Serve bone et fidelis intra
  26. folio 84r, Vespers 2, Commune unius Confessoris non Pontificiu: Hic vir despiciens mundum et
  27. folio 85r, Vespers, Comm. Virginum: Prudentes virgines aptate
  28. folio 89r, Matins, Comm. Virginum: Veni sponsa Christi accipe
  29. folio 97v, Lauds, Comm. Virginum: Haec est virgo sapiens et una
  30. folio 98r, Lauds, Comm. Virginum: Haec est quae nescivit
  31. folio 98v, Lauds, Comm. Virginum: Veni electa mea et ponam te
  32. folio 99r, Lauds, Comm. Virginum: Ista est speciosa inter filias
  33. folio 100r, Lauds, Comm. Virginum: Veni sponsa Christi accipe
  34. folio 101v, Vespers, Non-V non-M: Manum suam aperuit inopi
  35. folio 102r, Lauds, Non-V non-M: Dum esset rex in accubitu suo
  36. folio 102v, Lauds, Non-V non-M: Iam hiems transiit, imber abii
  37. folio 103r, Lauds, Non-V non-M: Veni electa mea et ponam in
  38. folio 116v, Lauds, In dedicatione ecclesiae: Domus mea, domus orationis
  39. folio 117r, Lauds, In dedicatione ecclesiae: Haec est domus domini
  40. folio 117v, Lauds, In dedicatione ecclesiae: Lapides pretiosi omnes muri


Content Approved by: MMDB Director
Last updated: Sunday, 2 March 2003


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