Examining the Works of Neil Gaiman: Children Don’t Need Their Literature Dumbo’d Down.

  • Thomas Byrne West Virginia University

Abstract

Previous generations of works that have targeted the tween or “middle-reader” audience have often tended merely to be a continuation of the early reader genre - somewhat bland, Disneyfied works that reinforced the ideas of children as lesser beings than adults (or even Young Adults), needing protection from scary thoughts and ideas and, by extension, who are considered unable or incapable of delving deeper into their text. However, in Coraline and other works, we see that Neil Gaiman’s literature for children reaches for darker and more fully developed plots and characters. This trend helps move popular books for children away from Disneyfied reflections of life toward a more critical and thought-provoking literary experience at a young age.

Author Biography

Thomas Byrne, West Virginia University
Thomas Byrne studied literature under Professor Tracy Chapman at West Virginia University at Parkersburg. He graduated in 2014 and works in the tech industry in California, with his wife Kelly and children. He plans on continuing with literary research in Children's Literature & Supernatural Studies.
Section
Emerging Voices