Welcome to La Trobe University Library
Bypass navigation and go to content

Library Home
By Text
By Composer
By Genre
By Manuscript
Complete Manuscripts
By Liturgical Feast
By Text
By Melody
By Descriptor
Scribe Software
What's New

Medieval Music Database

Lamento di Tristano

anonymous istampitta


London: British Library, Additional 29987, fol. 63 (1/0).


1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13.
2. STÄBLEIN, Bruno. Schriftbild der einstimmigen Musik, Leipzig: Deutscher Verlag für Musik, 1975. Musikgeschichte in Bildern III/4, 177.
3. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 72.


1. WOLF, Johannes. 'Die Tänze des Mittelalters. Eine Untersuchung des Wesens der ältesten Instrumentalmusik', Archiv für Musikwissenschaft, I (1918-1919), p. 41.
2. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920): 194-206.
3. Geschichte der Musik in Beispielen, edited by Arnold Schering, Leipzig: Breitkopf & Härtel, 1931, no. 28.
4. Das Characterstück, edited by Willi Kahl, Cologne: Arno Volk Verlag, 1955. Das Musikwerk VIII. [English edition as The Character Piece, Anthology of Music VIII, 1961], p. 19.
5. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966, no. 59b.
6. De dansen van het Trecento. Critische uitgave van de instrumentale dansen uit hs. London BM add. 29987, edited by Jan ten Bokum, Utrecht: Institut voor Muziekwetenschap, 1967. Scripta Musicologica Ultrajectina I.
7. Monophonic Dances of the 14th Century, edited by Ralph Harriman, San Lorenzo, Calif.: Musica Sacra et Profana, 1976.
8. Musikgeschichte in Beispielen von der Antike bis Johann Sebastian Bach, edited by Otto Hamburg, Wilhelmshaven: Heinrichshofen, 1976, p. 46.
9. Mittelalterliche Spielmannstänze aus Italien, edited by Sebastian Kelber and Josef Ulsamer. Das Blockflöten Repertoire, vol. 1, Celle: Moeck Verlag, 1978.
10. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33.


1. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920), pp. 203-205.
2. HAAS, Robert. Aufführungspraxis der Musik, Potsdam: Akademische Verlagsgesellschaft Athenaion, 1931, p. 75.
3. SACHS, Curt. World History of the Dance, New York: 1937, pp. 294-295.
4. REESE, Gustave. Music in the Middle Ages, New York: W. W. Norton, London: J.M. Dent & Sons, 1940, pp. 160-161.
5. FISCHER, Kurt von. 'Musica e società nel Trecento italiano', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, p. 19.
6. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33.
7. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 72.


1. Music of the Middle Ages and Renaissance. Vol. I. 13th - 15th Centuries, Syntagma Musicum Ensemble, directed by Kees Otten: 2-HMV HQS 1195/6.
2. Medieval and Renaissance Music for the Irish and Medieval Harps, Viele, Recorders and Tambourin, Elena Polonska, Guy Durand, Roger Cotte: Turnabout TVS 34019/TV 4019 (GB/USA).
3. Medieval and Renaissance Lute and Vihuela, Roger Valentin, Roger Valentin (oud, lute, vihuela): ALHPA DB 198 (BEL.
4. Italian Secular Music of the Trecento, Hortus Musicus, directed by Andres Moustonen: Chant du Monde LDX 78.665 (FRA).
5. Music of the Time of Boccaccio's Decameron, Musica Reservata, directed by John Beckett: Philips 802904.
6. Music of the Middle Ages and the Renaissance, Musiciens de Provence: Arion ARN 38.370 (FRA).
7. Tanzmusik der Renaissance (Dance Music of the Renaissance), Ulsamer Collegium, Konrad Ragossnig (lute & guitar), directed by Josef Ulsamer: DG Archiv 2533 111 (INT).
8. Golden Dance Hits of 1600, Konrad Ragossnig (lute), Siegfried Behrend (guitar), Siegfri, directed by Josef Ulsamer: Deutsche Gramophon-2563 522 (INT)/ 2538 348 (INT).
9. Music for Robin Hood and his King, St. Georges Canzona, directed by John Sothcott: Enigma K53532 (GB).
10. [Krainis Recorder Consort], Krainis Recorder Consort, directed by Bernard Krainis: Decca Ace of Clubs ACL R271.
11. Musik aus dem Trecento, Silvia and Walter Frei: Fono. Ges. Luzern S 30-4703.
12. Tanzmusik der Gotik und Renaissance, Les Menéstrels, Wiener Ensemble für alte Musik, directed by Klaus Walter, E. Kölz: Amadeo AVRS 5052.
13. Antologia Sonora della Musica Italiana. Vol 3: Musiche Profane nel Basso Medio Evo, Lucca (S), Nobile (T), soloists: Carisch MCA 28017.
14. Music of the Middle Ages, Collegium Musicum Krefeld, directed by Robert Haas: Boìte a Musique LD 08.
15. The Festive Pipes (Five Centuries of Dance Music for Recorders), Krainis Recorder Consort: Kapp KCL 9034.
16. The Lady and the Unicorn, John Renbourn: Reprise RS 6407.
17. Music at the Time of the Crusades, Florilegium Musicum of Paris: Vanguard Everyman Classics SRV 317SD.
18. History of European Music, vol. 5, : Musical Heritage Society OR 438.
19. Dances of the Middle Ages (13th and 14th centuries), G. Crunelle (piccolo), Debondue (musette), Clayette (tabor) (1937): Anthologie Sonore AS 16, Haydn Society AS 2.
20. Music of the Minstrels. Dix-sept Danses du 13e et 14e Siècle, Brussels Pro Musica Antiqua, directed by Safford Cape (1953): Archiv APM 14018 (Br).
21. Medieval Music. The Jolly Minstrels: Minstrel Tunes, Songs, and Dances of the Middle Ages, Gerald English (T), Jaye Consort (1967): Pye/Golden Guinea GGC 4092.
22. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Music (1300 - 1400), University of Chicago Collegium Musicum, South Illinois Univ, directed by Howard Mayer Brown, Wesley Morgan (1968?): Pleiades P 250.
23. The Seraphim Guide to Renaissance Music, Syntagma Musicum of Amsterdam, directed by Kees Otten (1969): Seraphim SIC-6052 (set 3) (USA).
24. Ecco la Primavera. Florentine Music of the 14th Century, Early Music Consort, directed by David Munrow (1969): Argo ZRG 642 (GB).
25. Douce Dame: Music of Courtly Love from Medieval France and Italy, The Waverly Consort, directed by Michael Jaffee (1973): Vanguard VSD 71179.
26. Estampie. Instrumentalmusik des Mittelalters, Early Music Studio, Schola Cantorum Basiliensis, directed by Thomas Binkley (1974): EMI-Reflexe 1C 063-30-122 (GER)/ 1C 163-30-119/24 (GER).
27. Musica in Bohemia in Tempore Caroli IV, Soloists, Symposium Musicum, Prague Madrigal Singers, directed by Miroslav Venhoda (1977): Supraphon 11112 2451/2.
28. The Captive Unicorn. Mediaeval French, Spanish, English, Italian and Latin Songs from the 11th-14thC, The Renaissance Players, directed by Winsome Evans (1978): Cherry Pie CPF 1036 2.
29. Pastime with Good Company, Ars Nova, directed by Bevan Leviston (1980): Bonn Recording Enterprises BRE-033 (AUS).
30. Guenivere, Yseut, Melusine: the heritage of Celtic womanhood in the middle ages, Ella de' Mircovich (medieval harp), Elisabetta de Mircovich (rebec), Claudia Caffagni (lute), Livia Caffagni (recorder), La Reverdie (1991): Giulia GS 201007.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

Cantus Planus
Latin Dictionary