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Ghaettaanonymous istampitta SourcesLondon: British Library, Additional 29987, fol. 55v-56 (1/0).Facsimiles1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13.2. GUSHEE, Lawrence. 'Analytical method and compositional process in some thirteenth and fourteenth-century music', Aktuelle Fragen der Musikbezogenen Mittelalterforschung, Basel: Amadeus Verlag, 1975, p. 181. Editions1. WOLF, Johannes. 'Die Tänze des Mittelalters. Eine Untersuchung des Wesens der ältesten Instrumentalmusik', Archiv für Musikwissenschaft, I (1918-1919), p. 24.2. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920): 194-206. 3. De dansen van het Trecento. Critische uitgave van de instrumentale dansen uit hs. London BM add. 29987, edited by Jan ten Bokum, Utrecht: Institut voor Muziekwetenschap, 1967. Scripta Musicologica Ultrajectina I. 4. Monophonic Dances of the 14th Century, edited by Ralph Harriman, San Lorenzo, Calif.: Musica Sacra et Profana, 1976. 5. Mittelalterliche Spielmannstänze aus Italien, edited by Sebastian Kelber and Josef Ulsamer. Das Blockflöten Repertoire, vol. 1, Celle: Moeck Verlag, 1978. Literature1. WOLF, Johannes. Handbuch der Notationskunde, 2 vols., Leipzig: Breitkopf & Härtel, 1913, 1919. [reprinted Hildesheim: Georg Olms, 1963].2. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920), pp. 198-199. 3. JAMMERS, Ewald. 'Studien zur Tanzmusik des Mittelalters', Archiv für Musikwissenschaft, 30 (1973), pp. 89-93. 4. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33. 5. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 71. 6. YUDKIN, Jeremy. Music in Medieval Europe, Englewood Cliffs, New Jersey: Prentice Hall, 1989, pp. 550-554. Recordings1. Music of the Time of Boccaccio's Decameron, Musica Reservata, directed by John Beckett: Philips 802904.2. Tanzmusik der Renaissance (Dance Music of the Renaissance), Ulsamer Collegium, Konrad Ragossnig (lute & guitar), directed by Josef Ulsamer: DG Archiv 2533 111 (INT). 3. Golden Dance Hits of 1600, Konrad Ragossnig (lute), Siegfried Behrend (guitar), Siegfri, directed by Josef Ulsamer: Deutsche Gramophon-2563 522 (INT)/ 2538 348 (INT). 4. Dance Music of the Renaissance and the Baroque, Jaye Consort of Viols, Philip Jones Brass Ensemble, Canzona, directed by Denis Stevens: Orpheus OR 352/3/4. 5. Florentine Music (Ars Nova and Renaissance), New York Pro Musica, directed by La Noue Davenport: Decca DL 9428, 79428. 6. Tanzmusik der Gotik und Renaissance, Les Menéstrels, Wiener Ensemble für alte Musik, directed by Klaus Walter, E. Kölz: Amadeo AVRS 5052. 7. Ecco la Primavera. Florentine Music of the 14th Century, Early Music Consort, directed by David Munrow (1969): Argo ZRG 642 (GB). 8. Das Fest des Pierbaldo (Le Festin de Pierbaldo) nach dem Sonettenkranz "Mundus Pacidus" des Simon d'Orvieto, Les Ménestrels - Wiener Ensemble für alte Musik (1973): Musical Heritage Society MHS 3289. 9. Transformations, Music for a While, directed by Richard Taruskin (1974): 1750 Arch Records 1753. 10. Estampie. Instrumentalmusik des Mittelalters, Early Music Studio, Schola Cantorum Basiliensis, directed by Thomas Binkley (1974): EMI-Reflexe 1C 063-30-122 (GER)/ 1C 163-30-119/24 (GER). 11. A Tapestry of Music for the Black Prince and His Knights, St. George's Canzona, directed by John Sothcott (1978): Enigma K53571 (GB). 12. Medieval Monodies: Martin Codax/Marcabru, La Romanesca, directed by John Griffiths (1982): Move MS 3044. |
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