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Medieval Music Database


anonymous istampitta


London: British Library, Additional 29987, fol. 56v-57 (1/0).


1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13.
2. GUSHEE, Lawrence. 'Analytical method and compositional process in some thirteenth and fourteenth-century music', Aktuelle Fragen der Musikbezogenen Mittelalterforschung, Basel: Amadeus Verlag, 1975, pp. 165-192.


1. WOLF, Johannes. 'Die Tänze des Mittelalters. Eine Untersuchung des Wesens der ältesten Instrumentalmusik', Archiv für Musikwissenschaft, I (1918-1919), p. 28.
2. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920): 194-206.
3. De dansen van het Trecento. Critische uitgave van de instrumentale dansen uit hs. London BM add. 29987, edited by Jan ten Bokum, Utrecht: Institut voor Muziekwetenschap, 1967. Scripta Musicologica Ultrajectina I.
4. Monophonic Dances of the 14th Century, edited by Ralph Harriman, San Lorenzo, Calif.: Musica Sacra et Profana, 1976.
5. Mittelalterliche Spielmannstänze aus Italien, edited by Sebastian Kelber and Josef Ulsamer. Das Blockflöten Repertoire, vol. 1, Celle: Moeck Verlag, 1978.
6. VANDERWERF, Hendrik. 'Estampie', The New Grove, VI (1980): 254-258.


1. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920), pp. 200-202.
2. JAMMERS, Ewald. 'Studien zur Tanzmusik des Mittelalters', Archiv für Musikwissenschaft, 30 (1973), pp. 89-91.
3. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33.


1. Songs and Dances of 14th Century Italy, Landini Consort, Richard Hill (C-T), Rogers Covey-Crump (T): University of East Anglia UEA 78001 (GB).
2. Douce Dame: Music of Courtly Love from Medieval France and Italy, The Waverly Consort, directed by Michael Jaffee (1973): Vanguard VSD 71179.
3. Estampie. Instrumentalmusik des Mittelalters, Early Music Studio, Schola Cantorum Basiliensis, directed by Thomas Binkley (1974): EMI-Reflexe 1C 063-30-122 (GER)/ 1C 163-30-119/24 (GER).
4. Improvisation in der Instrumentalmusik des Mittelalters (In memoriam Jason Paras), Das Mittelalter-Ensemble der Schola Cantorum Basiliensis (1983): Harmonia Mundi HM 624.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

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