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Se je cuidoie tousjours vivre en tel pointanonymous ballade SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 27v (3/1).Editions1. GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), p. 292.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II, p. 94. 3. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 92. LiteratureGÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), p. 292.Recordings1. The "Canon" in the Fourteenth Century: Chace and Caccia, H. Guermant (S), F. Mertens (A), F. Anspach (T), E. Jacquier, directed by Safford Cape (1937): Anthologie Sonore AS 59.2. The History of Music in Sound. Vol. III. Ars Nova and the Renaissance (c. 1300 - 1540), Pro Musica Antiqua/Cape, Lemuel Hughes, Clarence Roberts, Br (1953): HMV HMS 20-31, 21=(78rpm mx. 2EA 15609-1B). 3. Secular Music circa 1300 (Weltliche Musik um 1300), Early Music Studio, directed by Thomas Binkley (1966): Telefunken AW6 41219 (SAWT 9504). 4. Philippe de Vitry and the Ars Nova, Robert Hare-Jones (CT), Charles Daniels (T), Angus Smith (T), Donald Greig (Bar), Orlando Consort (1991): CD-SAR 49. |
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