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Un crible plein d'eaue de vray confort; A Dieu vos comant, baudorThree-voice anonymous virelai SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 13v (3/2).Facsimiles1. WOLF, Johannes. Handbuch der Notationskunde, 2 vols., Leipzig: Breitkopf & Härtel, 1913, 1919. [reprinted Hildesheim: Georg Olms, 1963], opp. p. 364.2. GENNRICH, Friedrich. Abriss der Mensuralnotation des XIV und der ersten Hälfte des XV Jahrhunderts, Nieder-Modau: 1948. Musikwissenschaftliche Studienbibliothek 3-4, p. 39. 3. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, p. 1049. Editions1. WOLF, Johannes. Handbuch der Notationskunde, 2 vols., Leipzig: Breitkopf & Härtel, 1913, 1919. [reprinted Hildesheim: Georg Olms, 1963], Vol. I, p. 365.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 70. 3. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 10. Literature1. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 11, 12-13.2. RASTALL, Richard. The Notation of Western Music: An Introduction, London, Melbourne and Toronto: J. M. Dent and Sons, 1983, p. 81. |
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