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Tres dolz et loyauls amisanonymous virelai SourcesParis: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 74v (2/1);Philadelphia: University of Pennsylvania Library, French MS 15, fol. 48 (text). Editions1. A Fourteenth-Century Repertory from the Codex Reina, edited by Nigel Wilkins, [n.p.]: American Institute of Musicology, 1966. Corpus Mensurabilis Musicae 36, p. 60.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 64. 3. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 146. Recordings1. Dances of the Middle Ages and the Renaissance, Zurich Ricercare Ensemble, Lionel Rogg (chamber organ, harps, directed by Michel Piguet, Rene Clemencic: Harmonia Mundi HMU 2472(2) (FRA).2. [Machaut], Deller Consort, Ancient Instrument Ensemble of Zurich, directed by Alfred Deller, Austin Miskell: Harmonia Mundi HMU 34917. 3. [Guillaume de Machaut], Illinois Collegium Musicum, Thomas Binkley (lute), directed by George Hunter (1956): Westminster XWN 18166. 4. Ballades, Rondeaux & Virelais from the 14th and 15th Centuries, Ancient Instrument Ensemble of Zurich, directed by Austin Miskell (1967): Odyssey 32 16 0178. 5. The study of love, Gothic Voices, directed by Christopher Page (1992): Hyperion CDA66619. |
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