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Medieval Music Database

Quan ye voy le dut tens venir

anonymous canonic madrigal with text by Renaut I de Trie

Sources

Florence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 90v (3/2).

Facsimiles

Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 161.

Editions

1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 80.
2. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1960. Corpus Mensurabilis Musicae 8/II, p. 66.
3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 158.
4. Italian Secular Music: Anonymous Madrigals and Cacce and the Works of Niccolò da Perugia, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1972. Polyphonic Music of the Fourteenth Century VIII, p. 82.
5. Troisième livre d'ensemble pour flûtes à bec, edited by Michel Sanvoisin, Paris: Heugel, 1973, p. 15.

Literature

1. KARP, Theodore. 'The textual origin of a piece of Trecento polyphony', Journal of the American Musicological Society, XX (1967): 469-473.
2. MARROCCO, W. Thomas. 'Integrative devices in the music of the Italian Trecento', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, pp. 413-414.
3. BAUMANN, Dorothea. 'Some extraordinary forms in the Italian secular Trecento repertoire', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 45-63.
4. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim.
5. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 62.
6. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.

Recordings

1. Ecco la Primavera. Florentine Music of the 14th Century, Early Music Consort, directed by David Munrow (1969): Argo ZRG 642 (GB).
2. The Medieval Romantics, Gothic Voices, directed by Christopher Page (1991): CDA66463.


Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003