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Excelsus in numine; Benedictus dominusanonymous motet. SourcesOxford: New College Library 362, item XXVI, fol. 86v-87 (3/2).Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols, Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, pp. 44-45.2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 85-86. Text Editions1. STEVENS, Denis. 'Music in honour of St. Thomas of Canterbury', Musical Quarterly, LVII (1970), no. 7.2. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977, no. 48. 3. English Music for Masses and Offices, Part 1, edited by Frank Ll. Harrison, Ernest H. Sanders and Peter M. Lefferts, Monaco: Editions de L'Oiseau-Lyre, 1983. Polyphonic Music of the Fourteenth Century XVI, p. 242. Literature1. STEVENS, Denis. 'Music in honour of St. Thomas of Canterbury', Musical Quarterly, LVII (1970), pp. 343-346.2. HOHLER, Christopher. 'Reflections on some manuscripts containing 13th-century polyphony', Journal of the Plainsong and Medieval Music Society, I (1978): 2-38. 3. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 33-34, 290. |
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