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Inter amenitatis tripudia; O livor anxie; ReverentiThree-voice anonymous motet SourcesParis: Bibliothèque Nationale, fonds français 146, fol. 21v (2/1); Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 30v-31 (lost);Trent: Museo Provinciale d'Arte (ex Museo Nazionale, housed in Castello del Buon Consiglio), 87, fol. 231v-232 (3/2); York: Minster Library xvi.N.3, fol. 10v. Facsimiles1. Le Roman de Fauvel, manuscrit inédit de la Bibliothèque Nationale (français 146) reproduit par un procédé photographique inaltérable, facsimile edition by Pierre Aubry, Paris: Librairie Paul Geuthner, 1907, (Fauv).2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plate 213 (Yc3). 3. ROESNER, Edward H. Le Roman de Fauvel in the edition of Mesire Chaillou de Pesstain, New York: Broude Brothers, 1990. Editions1. The Roman de Fauvel; The Works of Philippe de Vitry; French Cycles of the Ordinarium Missae, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956. Polyphonic Music of the Fourteenth Century I, p. 42 (Pn146).2. CALDWELL, John. Medieval Music, Bloomington: Indiana University Press, London: Hutchinson, 1978, no. 61. Literature1. DROZ, Eugénie and Geneviève THIBAULT. 'Un chansonnier de Philippe le Bon', Revue de musicologie, VII (1926): 1-8.2. LEFFERTS, Peter M. 'York, Minster Library, MS XVI.N.3' [in] 'New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982), pp. 359-360. 3. BENT, Margaret and Peter LEFFERTS. 'New sources of thirteenth- and fourteenth-century English polyphonic music', Early Music History, edited by Iain Fenlon, Cambridge: Cambridge University Press, 2 (1982), pp. 359-360. 4. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, p. 300. |
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