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L'ardure qu'endure; Tres dous espoir; [Ego rogavi]Four-voice anonymous motet SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 66v-67 (4/2);Paris: Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 41v-42 (lost). Editions1. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 106.2. The Motets of the Manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula Günther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. 29. 3. Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 149. Literature1. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 106.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. Recordings1. Guillaume de Machault, 'Le lay de confort', Little Consort & Frans Brüggen (1990): Channel Classics CCS 0390.2. Febus Avant!, Huelgas Ensemble, directed by Paul van Nevel (1991): Sony Classical SK 48 195. 3. Machaut and his time, Alba Musica Kyo (1994): Channel Classics CCS 7094. |
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