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O homo de pulvere; O homo considera; Filie JerusalemFour-voice anonymous motet SourcesOxford: New College Library 362, item XXVI, fol. 83v,90 (4/2).Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, pp. 37-38.2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 95-96. Editions1. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977, no. 50.2. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 32. Literature1. HARRISON, Frank Ll. 'Ars nova in England: a new source', Musica Disciplina, XXI (1967), p. 70, 73 ., p. 70, 73.2. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573. 3. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, p. 295. RecordingsMedieval Music. Ars Antiqua Polyphony, Pro Cantione Antiqua, directed by Edgar Fleet (1978): Oxford Anthology of Music OUP 164. |
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