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Triumphat hodie; Trop est fol; Si qe la nuitThree-voice anonymous motet SourcesLondon: British Library, Additional 24198, fol. 1v (3/2);Oxford: New College Library 362, item XXVI, fol. 85v (3/2) (Triplum, Tenor 2). FacsimilesManuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 6 (Lbl24198), 83.Editions1. The History of Music in Sound. Vol. II. Early Medieval Music up to 1300, edited by Dom Anselm Hughes, London: Oxford University Press, 1953, p. 58 (incomplete).2. SANDERS, Ernest H. 'England: From the Beginnings to c. 1540', Music from the Middle Ages to the Renaissance, edited by F. W. Sternfeld, New York: Praeger, 1973, p. 284. 3. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, 72 (4, p. 3 with editorial Du. Literature1. HARRISON, Frank Ll. 'Ars nova in England: a new source', Musica Disciplina, XXI (1967), p. 71.2. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 37, 263. RecordingsThe History of Music in Sound. Vol. II. Early Medieval Music to 1300, Brompton Oratory Choir/Washington, Bodley Singers/Rose, Pro (1952c): HMV HMS 10/11/12/13/14/15/16/17/18/19. |
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