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Ad rose titulumThree-voice anonymous cantilena SourcesCambridge: Gonville and Caius College 512/543, fol. 260-260v (3/3);Rome: Biblioteca Apostolica Vaticana 4757, fol. 168 (text); York: Minster Library xvi.N.3, fol. 222 (1/1) (Tenor melody). Facsimiles1. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 139-140, 214.2. English Fourteenth-Century Polyphony: Facsimile Edition of Sources Notated in Score, edited by William J. Summers, Tutzing: H. Schneider, 1983. Münchner Editionen zur Musikgeschichte IV, plates 19-20 (Cgc512). Editions1. WIBBERLEY, Roger. English Polyphonic Music of the Late 13th and Early 14th Centuries: A Reconstruction, Transcription and Commentary, D.Phil. dissertation, University of Oxford (Keble), Vol. I, p. 163.2. English Music for Mass and Offices (II) and Music for Other Ceremonies, edited by Ernest H. Sanders, Frank Ll. Harrison and Peter M. Lefferts, Monaco: Editions de L'Oiseau-Lyre, 1986. Polyphonic Music of the Fourteenth Century XVII, p. 41. Text Editions<CHEVALIER, U. Repertorium hymnologicum, catalogue des chants, hymnes, proses, séquences, tropes., 6 vols., Louvain: 1892-1921, p. 72 [no. 22426].Literature1. LEFFERTS, Peter M. 'York, Minster Library, MS XVI.N.3' [in] 'New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982), p. 360.2. BENT, Margaret and Peter LEFFERTS. 'New sources of thirteenth- and fourteenth-century English polyphonic music', Early Music History, edited by Iain Fenlon, Cambridge: Cambridge University Press, 2 (1982), p. 360. |
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