Medieval Music Database

Antonellus da Caserta

LIFE

1. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948): 539-615.
2. GÜNTHER, Ursula. 'Anthonello de Caserta', The New Grove, I (1980): 465-466 .

EDITIONS

1. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I.
2. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols, 1983.
3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII.

STUDIES OF WORKS

1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 414-417, & example 58( Beauté parfaite, bonté soverayne).
2. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947): 85-94.
3. PIRROTTA, Nino. 'Scuole polifoniche italiane durante il secolo XIV: Di una pretesa scuola napolitana', Collectanea Historiae Musicae, I (1953): 11-18.
4. FICKER, Rudolf von. 'The transition on the continent', [chapter 5 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960.
5. FANO, Fabio. 'Punti di vista su l'Ars nova', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, pp. 105-112.
6. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 59/n42)( Dame d'onour, en qui tout mon cuer maynt).
7. SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974): 192-207 (p. 203)( Amour m'a le cuer mis en tel martire).
8. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978 , pp. 480-481( Dame zentil, en qui est ma sperance).
9. BROWN, Howard M. 'Chanson. I. Origins to about 1430', The New Grove, IV (1980): 136-137 ( Dame d'onour, en qui tout mon cuer maynt).
10. ZIINO, Agostino. 'Guillaume de Machaut, fondateur d'école?', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, pp. 329-335, pp. 333-334( Beauté parfaite, bonté soverayne).
11. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226, passim( Du val prilleus ou pourpris de jeunesse).
12. BAUMANN, Dorothea. 'Silben- und Wortwiederholungen im italienischen Liedrepertoire des späten Trecento und frühen Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 77-92, p. 85( Or tolta pur me sey da l'ochi).

OTHER LITERATURE

1. BERTONI, G. 'Poesie musicali francese nel codice estense lat. 568', Archivum Romanicum, I (1917).
2. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 414-417, & example 58.
3. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947): 85-94.
4. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
5. PIRROTTA, Nino. 'Scuole polifoniche italiane durante il secolo XIV: Di una pretesa scuola napolitana', Collectanea Historiae Musicae, I (1953): 11-18.
6. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1..
7. FICKER, Rudolf von. 'The transition on the continent', [chapter 5 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960.
8. FANO, Fabio. 'Punti di vista su l'Ars nova', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, pp. 105-112.
9. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 59/n42).
10. GÜNTHER, Ursula. 'Anthonello de Caserta', Die Musik in Geschichte und Gegenwart, XV (1973): 228-231 .
11. MONTAGU, Jeremy. 'Early percussion techniques', Early Music, II/1 (1974): 20-24.
12. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978 , pp. 480-481.
13. BROWN, Howard M. 'Chanson. I. Origins to about 1430', The New Grove, IV (1980): 136-137 .
14. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX .
15. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120.
16. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003