Medieval Music Database

Baude Cordier

LIFE

1. BESSELER, Heinrich. 'Cordier, Baude', Die Musik in Geschichte und Gegenwart, II (1952): 1665-1668 .
2. REANEY, Gilbert. 'Cordier, Baude', The New Grove, IV (1980): 767-768.

EDITIONS

1. RIEMANN, Hugo. Handbuch der Musikgeschichte, 5 vols, Leipzig: Breitkopf & Härtel, 1904-1913 .
2. Le manuscrit de musique polyphonique du trésor d'Apt, edited by Amédée Gastoué, Paris: E. Droz, 1936. La société française de musicologie, series 1, Vol. X.
3. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I.
4. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977 .
5. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
6. French Sacred Music, edited by Giulio Cattin and Francesco Facchin, Monaco: Editions de l'Oiseau Lyre, 1992: Polyphonic Music of the Fourteenth Century Vol. XXIIIIA.

STUDIES OF WORKS

1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 425-426, & example 62( Amans ames secretement) .
2. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 52( Belle bonne sage).
3. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Belle bonne sage).
4. REANEY, Gilbert. 'A consideration of the relative importance of words and music in composition from the 13th to the 15th century', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 175-196, p. 190( Tout par compas).
5. KOEHLER, Laurie. Review of Gordon K. Greene (ed.): Polyphonic Music of the Fourteenth Century, vols. XVIII-XX, Journal of the American Musicological Society, XXXIX/3 (1986): 633-641, p. 637( Tout par compas).

OTHER LITERATURE

1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 425-426, & example 62.
2. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I.
3. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 52.
4. MEYLAN, Raymond. 'Réparation de la Roue de Cordier', Musica Discplina, XXVI (1972): 69-71 .
5. REANEY, Gilbert. 'Cordier, Baude', The New Grove, IV (1980): 767-768.
6. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
7. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.
8. REANEY, Gilbert. 'A consideration of the relative importance of words and music in composition from the 13th to the 15th century', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 175-196, p. 190.
9. KOEHLER, Laurie. Review of Gordon K. Greene (ed.): Polyphonic Music of the Fourteenth Century, vols. XVIII-XX, Journal of the American Musicological Society, XXXIX/3 (1986): 633-641, p. 637.

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003