Medieval Music Database

Grimace

LIFE

1. REANEY, Gilbert. 'Grimace', Die Musik in Geschichte und Gegenwart, V (1956): 920-922 .

EDITIONS

1. GASTOUÉ, Amédée. Actes du congrès d'histoire de l'art, Paris: 1925 .
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I.
3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III.
4. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
5. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX .
6. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII.

STUDIES OF WORKS

1. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 1-21 (p. 7)( A l'arme, a l'arme, sans sejour et sans demour).
2. GÜNTHER, Ursula. 'Bemerkungen zum älteren französischen Repertoire des Codex Reina', Archiv für Musikwissenschaft, XXIV (1967): 237-252 , pp. 249-251( A l'arme, a l'arme, sans sejour et sans demour).
3. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, pp. 163, 164.
4. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 66/n80)( C'estoit ma douce nouriture).
5. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Se Zephirus, Phebus et leur lignie; Se Jupiter, qui donna seigneurie).

OTHER LITERATURE

1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
2. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 1-21 (p. 7).
3. GÜNTHER, Ursula. 'Bemerkungen zum älteren französischen Repertoire des Codex Reina', Archiv für Musikwissenschaft, XXIV (1967): 237-252 , pp. 249-251.
4. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, pp. 163, 164.
5. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 66/n80).
6. GÜNTHER, Ursula. 'Grimace', The New Grove, VII (1980): 733 .
7. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
8. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX .
9. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003