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Medieval Music Database

Philippot de Caserta

LIFE

  1. REANEY, Gilbert. 'Philippus de Caserta', Die Musik in Geschichte und Gegenwart, X (1962): 1202-1203.

EDITIONS

  1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols, Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965].
  2. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957.
  3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III.
  4. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX .
  5. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI.

STUDIES OF WORKS

  1. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, pp. 110-130, p. 114( De ma dolour ne puis trouver confort).
  2. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols, Brussels: Palais des Académies, 1960 ( De ma dolour ne puis trouver confort).
  3. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961): 416-420 , p. 417( De ma dolour ne puis trouver confort).
  4. GÜNTHER, Ursula. 'Datierbare Balladen des spaten 14. Jahrhunderts. Part 2', Musica Disciplina, XVI (1962): 151-174 (pp. 161-165)( Par les bons Gedeons et Sanson delivré).
  5. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 51( Par les bons Gedeons et Sanson delivré).
  6. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (pp. 62, 65)( En remirant vo douce pourtraiture).
  7. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I , pp. 31, 33( En remirant vo douce pourtraiture).
  8. WILKINS, Nigel. 'Ballade (i)', The New Grove, II (1980): 76-78( En remirant vo douce pourtraiture).
  9. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226, passim( De ma dolour ne puis trouver confort).
  10. KOEHLER, Laurie. Review of Gordon K. Greene (ed.): Polyphonic Music of the Fourteenth Century, vols. XVIII-XX, Journal of the American Musicological Society, XXXIX/3 (1986): 633-641, p. 637( Par les bons Gedeons et Sanson delivré).

OTHER LITERATURE

  1. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, pp. 110-130, p. 114.
  2. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols, Brussels: Palais des Académies, 1960 .
  3. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961): 416-420 , p. 417.
  4. GÜNTHER, Ursula. 'Datierbare Balladen des spaten 14. Jahrhunderts. Part 2', Musica Disciplina, XVI (1962): 151-174 (pp. 161-165).
  5. GÜNTHER, Ursula. 'Bemerkungen zum älteren französischen Repertoire des Codex Reina', Archiv für Musikwissenschaft, XXIV (1967): 237-252 .
  6. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 51.
  7. REANEY, Gilbert. 'Philippus de Caserta', The New Grove, XIV (1980): 653-654.
  8. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
  9. TOMASELLO, Andrew. Music and Ritual at Papal Avignon, 1309-1403, Ann Arbour, Michigan: UMI Research Press, 1983 , p. 41.
  10. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:New York, 1986 , pp. 122-127.


Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003


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