Medieval Music Database

P. des Molins

LIFE

EDITIONS

1. WOLF, Johannes. Handbuch der Notationskunde, 2 vols, Leipzig: Breitkopf & Härtel, 1913, 1919. [reprinted Hildesheim: Georg Olms, 1963].
2. DROZ, Eugénie & Geneviève THIBAULT. Poètes et musiciens du 15e siècle, Paris: 1924 .
3. Die Musikstücke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931 .
4. A Fourteenth-Century Repertory from the Codex Reina, edited by Nigel Wilkins, [n.p.]: American Institute of Musicology, 1966. Corpus Mensurabilis Musicae 36.
5. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970.
6. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57.
7. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII.

STUDIES OF WORKS

1. FÉTIS, F.-J. Esquisse de l'Histoire de l'harmonie considérée comme art et comme science systématique, Paris: 1840( De ce que foul pensé souvent remaynt).
2. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 167, 181-184( Amis, tout dous vis, ne joye).
3. SEAY, Albert. Music in the Medieval World, Englewood Cliffs, New Jersey: Prentice-Hall, 1975, p. 142( Amis, tout dous vis, ne joye).
4. FISCHER, Kurt von. 'Ein neues Trecentofragment', Festschrift für Walter Wiora, edited by L. Finscher & C. H. Mahling, Basel and New York:Bärenreiter, 1968, pp. 264-68, pp. 264-265( Amis, tout dous vis, ne joye).
5. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, pp. 211, 213.
6. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59( De ce que foul pensé souvent remaynt).
7. SEEBASS, Tilman. 'The visualisation of music through pictorial imagery and notation in late mediaeval France', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: C.U.P., 1983,pp. 19-34, pp. 23, 27( De ce que foul pensé souvent remaynt).

OTHER LITERATURE

1. FÉTIS, F.-J. Esquisse de l'Histoire de l'harmonie considérée comme art et comme science systématique, Paris: 1840.
2. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 167, 181-184.
3. SEAY, Albert. Music in the Medieval World, Englewood Cliffs, New Jersey: Prentice-Hall, 1975, p. 142.
4. FISCHER, Kurt von. 'Ein neues Trecentofragment', Festschrift für Walter Wiora, edited by L. Finscher & C. H. Mahling, Basel and New York:Bärenreiter, 1968, pp. 264-68, pp. 264-265.
5. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, pp. 211, 213.
6. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
7. REANEY, Gilbert. 'Molins, P. des', The New Grove, XII (1980): 467.
8. SEEBASS, Tilman. 'The visualisation of music through pictorial imagery and notation in late mediaeval France', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: C.U.P., 1983,pp. 19-34, pp. 23, 27.

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003