Medieval Music Database

Bartholomeus de Bononia

LIFE

1. MÜLLER, H. 'Der Musiktraktat in dem Werke des Bartholomaeus Anglicus "De proprietatibus rerum"', Riemann Festschrift, Leipzig: 1909 .
2. GUSHEE, Lawrence. 'Bartholomaeus Anglicus', Die Musik in Geschichte und Gegenwart, XV (1973): 515-517 .
3. SCHOOP, Hans. 'Bartolomeo da Bologna', The New Grove, II (1980): 228 .
4. SCHOOP, Hans. 'Brollo, Bartolomeus', The New Grove, III (1980): 330.

EDITIONS

1. STAINER, John & C. STAINER. Dufay and His Contemporaries. Fifty Compositions Transcribed from MS. Canonici misc. 213 in the Bodleian Library, Oxford, London and New York: Novello, 1898 .
2. A Fifteenth-Century Repertory from the Codex Reina, edited by Nigel Wilkins, [n.p.]: American Institute of Musicology, 1966. Corpus Mensurabilis Musicae 37.
3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III.
4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1975. Corpus Mensurabilis Musicae 11/V.
5. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX .

STUDIES OF WORKS

1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 123, 140, 142, 151-152, & ex. 20( Que pena major agitanda menti).
2. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64 , passim( Mersi chiamando adiuto).
3. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268( Morir desio).

OTHER LITERATURE

1. MÜLLER, H. 'Der Musiktraktat in dem Werke des Bartholomaeus Anglicus "De proprietatibus rerum"', Riemann Festschrift, Leipzig: 1909 .
2. BORREN, Charles van den. Etudes sur la quinzième siècle musical, Antwerp: De Nederlandsche Boekhandel, 1941 .
3. BORREN, Charles van den. 'Dufay and his school', [chapter 7 of] The New Oxford History of Music, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960 .
4. SCHOOP, H. Entstehung und Verwendung der Handschrift Oxford, Bodleian Library, Can. misc. 213, Bern: 1971 .
5. PIRROTTA, Nino. 'Bartholomaeus de Bononia', Die Musik in Geschichte und Gegenwart, XV (1973): 517-519 .
6. CAVICCHI, Adriano. 'Sacro e profano: documenti e note su Bartolomeo da Bologna e gli organisti della cattedrale di Ferrara nel primo Quattrocento', Rivista italiana di musicologica, X (1975): 46-71.
7. BARR, Cyrilla. 'Lauda singing and the tradition of the disciplinati. Mandato: A reconstruction of two texts of the office of tenebrae', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 21-44.
8. SCHOOP, Hans. 'Bartolomeo da Bologna', The New Grove, II (1980): 228 .
9. SCHOOP, Hans. 'Brollo, Bartolomeus', The New Grove, III (1980): 330.
10. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120.
11. LOCKWOOD, Lewis. Music in Renaissance Ferrara 1400-1505: The Creation of a Musical Centre in the Italian Renaissance, Oxford: Clarendon Press, 1984 , pp. 21-22.

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003