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Ades[to]Two-voice intabulation by Philippe de Vitry SourcesLondon: British Library, Additional 28550 (Robertsbridge Codex), fol. 43v-44 (2/0).Facsimiles1. WOOLDRIDGE, H. E. Early English Harmony, London: Plainsong and Mediaeval Music Society, 1897, vol. I, plates 43-44.2. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 89. Editions1. WOLF. Johannes 'Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert', Kirchenmusikalisches Jahrbuch, XIV (1899), p. 19.2. Keyboard Music of the Fourteenth and Fifteenth Centuries, edited by Willi Apel, [n.p.]: American Institute of Musicology, 1963. Corpus of Early Keyboard Music 1, p. 3. Literature1. WOLF. Johannes 'Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert', Kirchenmusikalisches Jahrbuch, XIV (1899), p. 29.2. ZWICK, Gabriel. 'Deux motets inédits de Philippe de Vitry et de Guillaume de Machaut', Revue de musicologie, XXVII (1948), p. 33. 3. GREENE, Gordon K. 'Incipient Ars nova in the Brussels rotulus', Studies in Music (Canada), I (1976), p. 12. 4. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, pp. 90-91, 92. 5. LINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 33, examples 6, 11, 13. 6. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, p. 264. RecordingsPhilippe de Vitry 1291-1361, Benjamin Bagby and Barbara Thornton, Sequentia (1991): RD 77 095. |
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