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Non ara may pieta questa mia dona.anonymous intabulation after a vocal original by Francesco Landini SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 81-81v (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 79-80.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 87-88. EditionsKeyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 103.Literature1. PLAMENAC, Dragan. 'Keyboard music of the 14th century in codex Faenza 117', Journal of the American Musicological Society, IV (1951), p. 181.2. MARROCCO, W. T. and R. HUESTIS. 'Some speculations concerning the instrumental music of the Faenza Codex 117', The Diapason, LXIII (1972), p. 3. 3. YUDKIN, Jeremy. Music in Medieval Europe, Englewood Cliffs, New Jersey: Prentice Hall, 1989, p. 547. Recordings1. Music of the Time of Boccaccio's Decameron, Musica Reservata, directed by John Beckett: Philips 802904.2. Francesco Landini 1325 - 1397, Early Music Studio, directed by Thomas Binkley (1973): EMI-Reflexe 1CO63-30-113 (GER). |
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