La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

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Medieval Music Database

Po' che partir convienmi, donna chara
ballata by Francesco Landini

Sources

Florence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 165v (3/1); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 23 (3/1); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 106 (Cantus and Contratenor);
Padua: Biblioteca Universitaria 684, number 5 (3/1);
Paris: Bibliothèque Nationale, fonds italien 568, fol. 92v-93 (3/1);
Praha: Státní Knihovna CSSR - Universitní Knihovna XI E 9, fol. 248 (3/0).

Facsimiles

1. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 43 (FP).
2. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992.

Editions

1. Die Musikstücke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931, p. 124.
2. The Works of Francesco Landini, edited by Leonard Ellinwood, Cambridge/Massachusetts: The Mediaeval Academy of America, 1939, p. 273.
3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 300.
4. The Works of Francesco Landini, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1958. Polyphonic Music of the Fourteenth Century IV, p. 118.

Text Editions

CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 212.

Literature

1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelbände der internationale Musikgesellschaft, III (1901), p. 603.
2. D'ANCONA, Alessandro. La poesia popolare italiana, 2nd edition, Livorno: R. Giusti, 1907.
3. CORSI, Giuseppe. 'Madrigali e ballate inedite del Trecento', Belfagor, XIV (1959), p. 333.
4. ELLINWOOD, Leonard. 'The Fourteenth Century in Italy', [chapter 2 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, p. 79.
5. PROFESSIONE, A. Inventario dei manoscritti della Biblioteca Capitolare di Ivrea, rev. ed. 1967.
6. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226.
7. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31.
8. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992.

Recordings

Musica in Bohemia in Tempore Caroli IV, Soloists, Symposium Musicum, Prague Madrigal Singers, directed by Miroslav Venhoda (1977): Supraphon 11112 2451/2.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

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