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Non na el so amante.anonymous intabulation after a vocal original by Jacopo da Bologna SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 78-79 (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 73-75.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 81-83. 3. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57. EditionsKeyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 94.LiteratureBESSELER, Heinrich and Peter GÜLKE. Schriftbild der mehrstimmigen Musik, Leipzig: Deutscher Verlag für Musik, 1973. Musikgeschichte in Bildern, vol. 3, part 5, pp. 76-77.Recordings1. Musik des Trecento um Jacopo da Bologna, Ricercare-Ensemble für Alte Musik, Zürich, directed by Michel Piguet (1973): EMI-Reflexe 1C063-30-111 (GER)/ 1C163-30-107/12 (GER).2. Jacopo da Bologna: Italienische Madrigale des 14. Jahrhunderts, P.A.N. Ensemble Project Ars Nova (1985): Harmonia Mundi HM 738A. 3. A Song for Francesca. Music in Italy, 1330-1430, Gothic Voices, Andrew Lawrence-King (medieval harp), directed by Christopher Page (1987): Hyperion CDA 66286. |
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