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O dolce apresso un bel perlaro fiumemadrigal by Jacopo da Bologna SourcesFlorence: Biblioteca del Conservatorio di Musica Luigi Cherubini D 1175, fol. 2 (1/1) (Cantus only); Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 14v-15 (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 62v (2/2);London: British Library, Additional 29987, fol. 1v-2 (2/2), 3v-4 (2/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 8v-9 (2/2); Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 7v (2/2). Facsimiles1. The Music of Jacopo da Bologna, edited by W. Thomas Marrocco, Berkeley: University of California, 1954. University of California Publications in Music 5, plate II (Pn568).2. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo). 3. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 115 (FP). 4. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. The Music of Jacopo da Bologna, edited by W. Thomas Marrocco, Berkeley: University of California, 1954. University of California Publications in Music 5, p. 74 (Fn26).2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 31. 3. The Music of Fourteenth-Century Italy, edited by Nino Pirrotta, Rome: American Institute of Musicology, 1963. Corpus Mensurablis Musicae 8/IV, p. 18. 4. Italian Secular Music by Magister Piero, Giovanni da Firenze and Jacopo da Bologna, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1967. Polyphonic Music of the Fourteenth Century VI, p. 118 (Fn26)., p. 120 (Lbl29987). 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1023.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 40. Literature1. KÖNIGSLÖW, Annamarie von. Die italienischen Madrigalisten des Trecento, Würzburg-Aumühle: Triltsch, 1940, p. 13, ex. 9.2. PIRROTTA, Nino. 'Note ad "Anna" o dei dispetti amorosi', Accademia: Rivista italiana di lettere, arti, scienze (Palermo), I/2 (1945), p. 7. 3. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 4. WESSELY, O. 'Über den Hoquetus in der Musik zu Madrigalen des Trecento', De Ratione in Musica. Festschrift Erich Schenk zum 5. Mai 1972, Kassel: Bärenreiter, 1975, p. 27. 5. PAGANUZZI, Enrico. 'Il Trecento', [chapter 2 of] La musica a Verona, Verona: Banca mutua popolare di Verona, 1976, pp. 33-70. 6. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 7. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. RecordingsMusik des Trecento um Jacopo da Bologna, Ricercare-Ensemble für Alte Musik, Zürich, directed by Michel Piguet (1973): EMI-Reflexe 1C063-30-111 (GER)/ 1C163-30-107/12 (GER). |
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