|
|
 |
|
 |
|
Non dispregiar virt· richo villanomadrigal by Niccolò da Perugia SourcesFlorence: Biblioteca Medicea Laurenziana XL 43, fol. 45v (text); Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 87 (2/2); Biblioteca Medicea-Laurenziana, Rediano 184, fol. 102v (text);London: British Library, Additional 29987, fol. 43v (2/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 44v-45 (2/2); Parma: Biblioteca Palatina, Parmense 1081, fol. 92 (text); Rome: Biblioteca Apostolica Vaticana, Barberiniano latino 3695, fol. 72 (text). Facsimiles1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 95 (Fl87, diplomatic).2. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo). 3. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 129 (Fl87).2. SCHERING, Arnold. Studien zur Musikgeschichte der Frührenaissance, Leipzig: C.F. Kant Nachfolger, 1914, p. 74. 3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 134. 4. Italian Secular Music: Anonymous Madrigals and Cacce and the Works of Niccolò da Perugia, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1972. Polyphonic Music of the Fourteenth Century VIII, p. 151 (Pn568). 5. KELLY, Stephen K. The Works of Niccolò da Perugia, 2 vols., Ph.D. dissertation, The Ohio State University, 1974. 6. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 7. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text Editions1. Cantilene e ballate, strambotti e madrigale nei secoli XIII e XIV, edited by Giosuè Carducci, Pisa: Nistri, 1871, p. 315.2. SAPEGNO, Natalino. Poeti minori del Trecento, Milan: Ricordi, 1952, p. 495. Literature1. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.2. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 3. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter: 1984, pp. 55-76. |
 |
|
|
|
|
|
|
|
|
