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La doltce sere.anonymous intabulation after a vocal original by Bartolino da Padova SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 71-72 (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 99-101.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 67-69. EditionsKeyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 72.Literature1. REANEY, Gilbert. 'Voices and instruments in the music of Guillaume de Machaut', Revue belge de musicologie, X (1956), p. 102.2. PETROBELLI, Pierluigi. 'Bartolino da Padova', Dizionario biografico degli italiani, Rome: 1960, p. 634. 3. GALLO, F.A. 'Bilinguismo poetico e bilinguismo musicale nel madrigale trecentesco', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 237-238. 4. McGEE, Timothy J. 'Ornamentation, national styles, and the Faenza Codex', Early Music New Zealand, III/2 (1987): 3-14. |
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