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Qual lege move la volubel rotamadrigal by Bartolino da Padova SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 119v-120 (2/2); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 40v;London: British Library, Additional 29987, fol. 19v-20 (2/2); Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 21v-22 (2/2). Facsimiles1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).2. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 192.2. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 68 (Pn6771). 3. Italian Secular Music: Bartolino da Padova, Egidius de Francia, Giulielmus de Francia, Don Paolo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1975. Polyphonic Music of the Fourteenth Century IX, p. 60 (Pn6771). 4. Three Madrigals by Bartolino da Padova, for Voices, edited by Nigel Wilkins, Devon: Antico Edition AE 9, 1986, p. 1 (Pn6771). 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text EditionsCORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 242.Literature1. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.2. WESSELY, O. 'Über den Hoquetus in der Musik zu Madrigalen des Trecento', De Ratione in Musica. Festschrift Erich Schenk zum 5. Mai 1972, Kassel: Bärenreiter, 1975, p. 21. 3. BESSELER, Heinrich and Peter GÜLKE. Schriftbild der mehrstimmigen Musik, Leipzig: Deutscher Verlag für Musik, 1973. Musikgeschichte in Bildern, vol. 3, part 5, pp. 74-75. 4. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 5. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. TextQual lege move la volubel rota?Fortuna cieca. L'uom da nul'ascende e 'l pi· cativo pi· triunfo prende. Quello a chi de belta la verde fronde cinge la testa, el fianco in tera preme e mendicando reduce a le streme. Vedese la virt· quando l'uom perde e 'l vicio quand'ol entra 'l prato verde. TranslationWhich law moves the voluble wheel?Blind chance. Man rises out of nothing. and the worst one has the greatest triumph. But the one on whose head is the green crown of beauty lies prostrate on the ground, and begs. reduced to extremities. In losing one displays virtue; but the lush green pastures lead one to vice. Text revision and translation © Giovanni Carsaniga |
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