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Le greygnour bien que natureballade by Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 32v-33 (3/1).FacsimilesFrench Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, plate I.Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 1.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 98. 3. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 60. Literature1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), pp. 129-130.2. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 60, 70. 3. The Motets of the Manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula Günther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. lvi. 4. SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974), pp. 197, 200, 204. Recordings1. The Ars Nova: Vocal Music of 14-Century France and Italy, Capella Cordina, directed by Alejandro Planchart (1966): Expériences Anonymes EA/EAS 83.2. The Late 14th Century Avant Garde, Early Music Consort of London, directed by David Munrow (1973): EMI/HMV ASD 3621 (GB). |
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