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Medieval Music Database

Gloria, spiritus et alme

attributed to Matteo da Perugia

Sources

Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 3v-4 (4/2) (canon).

Editions

1. Die mittelalterliche Mehrstimmigkeit, edited by Heinrich Husmann, Cologne: Arno Volk Verlag, 1954. Das Musikwerk IX. [English edition as Medieval Polyphony, Anthology of Music IX, 1962], p. 58.
2. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 247.
3. Italian Sacred and Ceremonial Music, edited by Kurt von Fischer and F. Alberto Gallo, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XIII, p. 83.

Literature

1. LUDWIG, Friedrich. 'Die mehrstimmige Messe des 14. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925), p. 423.
2. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154.
3. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 56.
4. LERCH, Irmgard. 'Messkompositionen mit kanonischen Stimmen - eine internationale Erscheinung?', Musica Disciplina, XLI (1987): 59-73.


Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003


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