La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

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Medieval Music Database

Par les bons Gedeons et Sanson delivrT
ballade by Philippot de Caserta

Sources

Chantilly: Bibliothèque du Musée Condé 564, fol. 45v (3/1);
Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 32 (3/1).

Facsimiles

WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 118 (MOe5.24, diplomatic).

Editions

1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 158 (MOe5.24).
2. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, no. 10 (CH564).
3. GÜNTHER, Ursula. Zehn datierbare Kompositionen der Ars Nova, Hamburg: 1959. Schriftenreihe des Musikwissenschaftlichen Instituts der Universität Hamburg, Heft II, no. 10 [R PhD ed.].
4. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 154 (MOe5.24, CH564).
5. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 70.

Literature

1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 130.
2. PIRROTTA, Nino. 'Scuole polifoniche italiane durante il secolo XIV: Di una pretesa scuola napolitana', Collectanea Historiae Musicae, I (1953), p. 15.
3. GHISI, Federico. 'La persistance du sentiment monodique et l'évolution de la polyphonie italienne du XIVe au XVe siècle', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, p. 229.
4. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, p. 112.
5. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 12-13, 20-21.
6. GÜNTHER, Ursula. 'Datierbare Balladen des spaten 14. Jahrhunderts. Part 2', Musica Disciplina, XVI (1962), pp. 161-165.
7. MARGGRAF, W. 'Tonalität und Harmonik in der franzosischen Chanson zwischen Machaut und Dufay', Archiv für Musikwissenschaft, XXIII (1966), p. 18., p. 18.
8. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, p. 51.
9. TOMASELLO, Andrew. Music and Ritual at Papal Avignon, 1309-1403, Ann Arbour, Michigan: UMI Research Press, 1983, p. 41.
10. KOEHLER, Laurie. Review of Gordon K. Greene (ed.), p. 636.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

Cantus

CAO-ECE

Cantus Planus

Vulgate

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