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En atendant souffrir m'estuet grief payneballade by Philippot de Caserta SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 33v (3/1);Grottaferrata: Badia Greca, Biblioteca, collocazione provisoria 197, fol. 3v (Contratenor fragment only); Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 21 (3/1); Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 84v (3/1); Santa Barbara: Academia Monteverdiana. FacsimilesFrench Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, plate VII (Pn6771).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 56.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 56 (CH564, MOe5.24, Pn6771). 3. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 125. Literature1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 130.2. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 417. 3. GÜNTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht über den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, Bärenreiter, 1970, p. 177., p. 177. 4. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62, 64, 65. 5. GÜNTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 294. |
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