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Le sault perilleux a l'aventure prinsballade by Johannes Galiot SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 37 (3/1).Facsimiles1. GENNRICH, Friedrich. Abriss der Mensuralnotation des XIV und der ersten Hälfte des XV Jahrhunderts, Nieder-Modau: 1948. Musikwissenschaftliche Studienbibliothek 3-4, p. 48.2. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, plate 34. 3. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 26. Editions1. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 57.2. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 6. Literature1. GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), p. 294.2. PERKINS, Leeman L. 'Toward a rational approach to text placement in the secular music of Dufay's time', Dufay Quincentenerary Conference, New York: Brooklyn College, City University of New York, 1976, pp. 107-108. 3. GÜNTHER, Ursula. 'Unusual phenomena in the transmission of late fourteenth-century polyphonic music', Musica Disciplina, XXXVIII (1984), pp. 96, 102. RecordingsCe Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB). |
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