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En atendant d'avoir la douce vierondeau by Johannes Galiot SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 40 (3/1);Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 41 (2/1). Editions1. Die mittelalterliche Mehrstimmigkeit, edited by Heinrich Husmann, Cologne: Arno Volk Verlag, 1954. Das Musikwerk IX. [English edition as Medieval Polyphony, Anthology of Music IX, 1962], p. 55 (MOe5.24).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 60 (CH564, MOe5.24). 3. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 28. Literature1. ARLT, Wulf. 'Musik, Schrift und Interpretation. Zwei Studien zum Umgang mit Aufzeichnungen ein- und mehrstimmiger Musik aus dem 14. und 15. Jahrhundert', Basler Jahrbuch für Historische Musikpraxis, IV (1980), p. 127.2. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226. RecordingsCe Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB). |
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