|
|
 |
|
 |
|
En nul estat n'a si grant fermetTballade by Goscalch SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 39v (3/1);Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 79v (3/1). Editions1. JOSEPHSON, Nors S. 'Vier Beispiele der Ars Subtilior', Archiv für Musikwissenschaft, XXVII (1970), p. 51 (CH564).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 63 (CH564, Pn6771). 3. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 25. Literature1. GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 283-285.2. WILKINS, Nigel. 'The post-Machaut generation of poet-musicians', Nottingham Medieval Studies, XII (1968), p. 56. 3. JOSEPHSON, Nors S. 'Vier Beispiele der Ars Subtilior', Archiv für Musikwissenschaft, XXVII (1970): 41-58. 4. JOSEPHSON, Nors S. 'Die Konkordanzen zu "En nul estat" und "La harpe de melodie"', Die Musikforschung, XXV (1972): 292-299. 5. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174. 6. KOEHLER, Laurie. Review of Gordon K. Greene (ed.), p. 637. 7. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 51. Recordings1. The Chantilly Codex, Ensemble Organum, directed by Marcel Pérès (1987): Harmonia Mundi HMC 1252.2. Codex Chantilly: airs de cour, Ensemble Organum, directed by Marcel Pérès (1987): HMC 901252. 3. Ars Magis Subtiliter, Project Ars Nova (1989): New Albion Records NA 021 CD. |
 |
|
|
|
|
|
|
|
|
