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O Petre Christi discipuleTwo-voice motet by Johannes Ciconia SourcesBologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 259v-260 (2/2).FacsimilesCLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, plate VI.Editions1. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II, p. 154.2. COX, B. W. The Motets of Manuscript Bologna, Civico Museo Bibliografico Musicale, Q 15, Ph.D. dissertation, North Texas State University: 1977, p. 539. 3. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 114. Literature1. KORTE, W. 'Contributi alla storia della musica in Italia, I: La musica nelle città dell'Italia settentrionale dal 1400 al 1425', Rivista musicale italiana, XXXIX (1932), p. 529.2. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 131, 137. 3. FISCHER, Kurt von. 'Zur Ciconia-Forschung', Die Musikforschung, XIV (1961), p. 321. 4. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), p. 174. 5. CLERCX-LEJEUNE, Suzanne. 'Ancora su Johannes Ciconia (c. 1335-1411)', Nuova Rivista Musicale Italiana, XI (1977), p. 587. 6. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 496 briefly. 7. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. 8. FALLOWS, David. 'Two equal voices: a French song repertory with music for two more works of Oswald von Wolkenstein', Early Music History, 7 (1987), p. 240. RecordingsJohannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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