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Rex Karole Johannis genite; Leticie pacis concordie; Virgo prius ac posteriusmotet by Philippe Royllart. SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 65v-66 (4/2);Florence: San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 70v (Triplum only); Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 7v (3/1); Washington: Library of Congress, M 2.1.C 6a. 14, fol. 2v (Motetus fragment only). FacsimilesBruxelles, Bibliothèque du Conservatoire Royal de Musique. (A copy by Edmond de Coussemaker of 48 compositions from F-Sm 222), n2.Text Editions1. The Motets of the Manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula Günther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. 17.2. Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 141. Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 54-56, 187-189.2. LUDWIG, F. 'Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts', Handbuch der Musikgeschichte, edited by G. Adler, Vol. I, Frankfurt am Main: Frankfurter Verlag, 1924, pp. 274-275. 3. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 4. REANEY, Gilbert. 'Royllart, Philippus', The New Grove, XVI (1980): 285. 5. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. 6. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 183, 309-310. 7. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. TextTRIPLUMRex Karole, Johannis genite quondam regis Francorum strenui, mortalibus pre cunctis inclite claritate generis ardui, facultate donandi comite, Alexandri more prospicui qui Darium cum multo milite Porum quoque subdidit nutui, sic hostili subducto stipite pestifero gregis innocui vorativa fauce satellite inimica regni melliflui, pestis huius mordaci fomite invidia consumptiva sui, pastor cui jam quasi praedite suffragaris solercia tui. Dolet Argus Yo perterrite cum simili sono gemitui. Custos iners gaudes sollicite, curam gerens gregis precipui. Nam gladio gentis ancipite per te pulso remote domui tue pax est nunc pacis reddite. Sic itaque nostro auditui das gaudium, securo tramite paci dando plebem restitui, quare potes vocis emerite Salomonis nomine perfrui. Miror regni paterno limite succedentem te principatui. Litterarum ditari divite conjugio polles et instrui. Novi falli vocis incognitae aut in verbi posset ambigui. Vive felix in aula celite, comprehensor regni perpetui. MOTETUS Leticie, pacis, concordie ac salutis humano generi reparatrix, solem iusticie claustris tui baiulans uteri, effugatrix Evae tristicie, testamento quam signat veteri dulcis Hester, inventrix gracie, Assueri sedatrix asperi, revocatrix eius sentencie, plebi Dei ducem te fieri luget Aman. Princeps milicie tiranni te traditur funeri mesti luctus et ignominie. Mardocheus desinit conqueri, plebs Israhel datur leticie. Fis genitrix tu regis superi. Rogo supplex, ut regno Francie nostro, per quod devote liberi magis tibi serviunt hodie quam faciunt, ut puto, ceteri, pacem dones hostesque conteri, ut serviant tibi liberius, de fauce nos eripe Cerberi, virgo prius ac posterius. |
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