|
 |
 |
Medieval Music Database
Cambridge, Gonville and Caius College 512/543
Motets and sequences in Petronian notation are found between folios 246v and 262 of this manuscript. 8 `Gloria patri' tones in plainsong notation on folio 248 have been excluded from the inventory.
INVENTORIES
- Répertoire international des sources musicales. BIV 1. Manuscripts of Polyphonic Music, 11th - Early 14th Century, edited by Gilbert Reaney, G. Henle Verlag: Munich-Duisburg, 1966, pp. 468-471.
- BENT, Margaret. 'Cambridge, Gonville and Caius College, MS 230/116' [in] `New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982): 295-306.
CONTENTS
- fol. 246v-247, Mulier magni meriti - Multum viget virtus (whole chant setting))
- fol. 247v, Princeps apostolice turme (motet))
- fol. 248v-249, Virgo Maria, patrem parit filia - O stella marina - Virgo Maria, flos divina - Flos genuit regina (motet))
- fol. 252v-253, Tu civium primas - O cuius vita - Tu celestium primas - Congaudens super te fundata (motet))
- fol. 253v-254, Suspiria merentis anime - Meroris stimulo fessus (motet))
- fol. 254v-255, Thomas gemma Cantuarie - Thomas cesus in Doveria (motet))
- fol. 255v, Doleo super te - Absolon, fili me (whole chant setting))
- fol. 256, Mutato modo geniture (cantilena))
- fol. 256v-257, Orto sole serene novitatis - Origo viri jam - [O] Virga Jesse (whole chant setting))
- fol. 257v-258, Salamonis inclita mater (cantilena))
- fol. 258v-259, Ave celi regina virginum (cantilena))
- fol. 259v, Patrie pacis lucide gubernatrix - Patria gaudencium cum regina (whole chant setting))
- fol. 260, Ave, caro Christi mortem (cantilena))
- fol. 260-260v, Ad rose titulum (cantilena))
- fol. 262, Gemma nitens sole splendidior (cantilena))
LITERATURE
- LEFFERTS, Peter M. 'York, Minster Library, MS XVI.N.3' [in] `New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982): 358-361.
- LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 42-45, 239-240.
- LEFFERTS, Peter M. Review: 'Facsimiles of fourteenth-century English polyphony', RMA Research Chronicle, 21 (1988): 83-95 (p. 86).
CONCORDANCES1.Brussels, Bibliothèque Royale II. 266 (2-2v, Mutato modo geniture).
2.Cambridge, Gonville and Caius College 334/727 (199-199v, Mutato modo geniture).
3.Cambridge, Pembroke College 228 (i verso, Virgo Maria, patrem parit filia - O stella marina - Virgo Maria, flos divina - Flos genuit regina; iv verso-v verso, Ave celi regina virginum).
4.Durham, Cathedral Library C.I.20 (2v, Princeps apostolice turme; 3v-4, Orto sole serene novitatis - Origo viri jam - [O] Virga Jesse).
5.London, British Library, Additional 38651 (strip 54, Mutato modo geniture).
6.New York, Pierpont Morgan Library M. 978 (3v, Salamonis inclita mater).
7.Oxford, Bodleian Library, Bodley 862 (34-35 (#67), Thomas gemma Cantuarie - Thomas cesus in Doveria).
8.Princeton, University Library, Garrett 119, Fragment A (4,3v,2,5v, Thomas gemma Cantuarie - Thomas cesus in Doveria).
9.Rome, Biblioteca Apostolica Vaticana 4757 (168, Ad rose titulum).
10.York, Minster Library xvi.N.3 (222, Ad rose titulum).
Recordings of works contained in this manuscript
- Music in Honor of St. Thomas of Canterbury. Medieval Carols, Conductus: Nonesuch H71292 (USA): Thomas gemma Cantuarie; Thomas cesus in Doveria;.
- Medieval English Music. Anonymes des XIVe et XVe Siècles: Harmonia Mundi HM 1106: Doleo super te; Absolon, fili me; Thomas gemma Cantuarie; Thomas cesus in Doveria;.
- Music of the Middle Ages. Vol IV: English Polyphony of the 13th and ea: Expèriences Anonymes EA 0024: Thomas gemma Cantuarie; Thomas cesus in Doveria;.
|
|
|
|
